The Brixton MC Brother Culture is experiencing something like its second spring. First the hit single “Jump Up Pon It”, then the successful album “Code Name” and now the third trick: “Code name in Dub“(Evidence Music). You have to give the likeable Rasta one thing: he has a feel for hooklines. Gold to one Dub-Sound system dance to really boil. Too bad, however, that he doesn't manage to knit full-fledged songs around these hooklines, which means that he has to repeat them endlessly in staccato to get to song length. That annoys me a little. I was all the more happy than that Dub-The counterpart to “Code Name” appeared, promising good Swiss quality productions without annoying lyrics loops. Far from it: the vocal part is for one Dub-Album huge. Even worse: without vocals, the productions remain terrifyingly pale. Fast beats that leave no room for exciting arrangements, stereotypes Dub-Mixing and generally mostly smooth sound. Well, I had hoped for more. But high expectations are usually the cause of disappointment.