Dub from the small Alpine republic of Austria is not exactly the order of the day. All the more reason why Danubian Dub has just released a double album with 22 tracks. The double album is actually two albums: "Red Horizon" and "Beyond Horizon“ (both Danubian Dub Records), which were released at the same time and offer roughly the same thing: Steppers-Dub mixed with vocals. “Beyond” is not just the Dub-version of "Red" – although it has a more pronounced heaviness. Overall, both albums are not about groundbreaking experiments, but rather about solid craftsmanship, technical brilliance, and a deep understanding of sound system culture. And then there's the sheer quantity of tunes! An impressive testament to the immense productivity of the production team, which is not only active in the studio, but also with its own events and self-organized Dubstetten Festival is active in the scene. The opener, "Armageddon," on Red Horizon impressed me. The track is based on a randomly recorded Aramaic choral passage from a church. It's precisely this kind of detail that makes Danubian Dub They process spontaneous inspirations and incorporate them into their productions. The album closes with "Where Have You Been," a personal vocal number with Tom Spirals that resonates not only musically but also emotionally. "Beyond Horizon" continues the concept and brings 11 tracks of massive Steppas vibes, with strong guest contributions from Kol.EE aka King D, Amando Atodos, and, of course, Danubian. DubSingers FerdI and Dave. The final track, "Poverty," is a powerful statement against social inequality. Very beautiful! The album's sound is outstanding. The productions are powerful, refined down to the smallest detail, and demonstrate that Danubian Dub They have mastered their craft perfectly. It is an album that not only works on large sound systems, but also unfolds its effect in a quiet environment. "Red Horizon" and "Beyond Horizon" are not albums that Dub reinvent themselves – but they are an impressive demonstration of what solid production and dedication to the genre can achieve.
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Danubian Dub: Red Horizon and Beyond Horizon
4 Responses to “Danubian Dub: Red Horizon and Beyond Horizon
The preliminary lineup for DubStetten is already there -> dubstetten.at
Greetings
I think I simply lack this “deep understanding of the sound system culture”
I hear far too much bang, boom, and “always in the face”.
All the noises don't sound the least bit mystical to me. They fall more in line with the generic, cheap standard that one associates with industrial music. Shrill, annoying keyboard sounds, and the guitar solo, aren't my thing at all.
That was my first and (hopefully) last impression of the album.
I'd rather not write anything about the vocals. My opinion on them might unsettle some people.
Perhaps the albums are more intended for après-ski huts.
Yes, I'm still a bit tired and these albums unfortunately haven't improved my mood.
So long………… lemmi
My full respect to the producers, no question.
But in me this variation of Dub pretty much nothing… not even the little toe swings… it’s too “cold” and “emotionless” for me… “muscle-showing” Dubmusic that has been blasted in the gym for too long, so to speak.
I'm opting out...
I feel the same way. Big respect for the work behind these two discs. But I find this variation of Dubs not, at least not in the living room
Live it's different, because occasionally an original riddim is played beforehand. If the Danubian dub version is attached, the astonishment is great what can be created from it. And this also makes it audible how creatively and with such dedication the work was carried out. But in everyday life, my hearing has also adjusted to a smoother and more traditional Dubstyle set.