There is this "New Releases" section on dubblog.de, which the reviewer likes to look into regularly - even if it's just to see what the colleagues put in between good and bad. That is the very, very wide range; only special and / or interesting things (in a positive or negative sense) find their way into the reviews. So bravely jumped into the flood of innovations, listened in randomly and actually found what you were looking for: It is Dubstrand Allstars' debut album "Dubbing on the bay“ (Dubstrand Music), which I am dragging into the glaring review light.
Admittedly, it's the drums again that grabbed my first attention; In their mix they are very reminiscent of releases from 1981, as if there were Peter Tosh's "Wanted Dread & Alive", Jimmy Cliff's"Give the people what they want"Or Pablo Mosers'"Pave the way". This hard sound, which wasn't particularly bass-heavy, but with its punch at the appropriate volume probably left holes in the eardrum; this kick drum, which comes across as quite martial and almost commands where to go. The then relatively short-lived trend can now be found on the "Dubbing on the Bay ”album again - whether that was intentional or a coincidence remains open.
My second attention has that Dubstrand Allstars themselves counted - never heard, never seen, who should that be? The online research lets me run up completely for the time being; then there is still a fragment of information and it shows Brizion down. I have noticed the man several times; less because of his mediocre music than because of the sheer volume of his output: The Californian should cough once and at the other end shoot 5 albums, which unfortunately sound that way. A clear case of quantity over quality. Imagine if Vaughn Benjamin had teamed up with Brizion ... that would have been an endless flood of babbling albums.
The DubStrand Allstars, on the other hand, are thankfully not another solo project by Brizion; he takes (hurray!) a second musician - that is, a drummer - on board. No question about it, that brings the music to life, albeit with a downer: the man plays e-drums, which per se do not offer any great tonal variations. Strikes on the e-snare always sound tiring, an acoustic snare, on the other hand, sounds a little different with each strike - depending on where the stick hits the head. A small difference that makes a sound world.
Back to the album - it's not particularly bass-heavy with what feels like a cutoff at 60Hz, but see above: What was good enough for Tosh and Cliff back then should also be today Dubconceding beach all stars. Ultimately, there remains a collection of classic looking riddims; sparingly orchestrated with unobtrusively incorporated Dub-Effects. Not much has been done wrong, and yet everything seems uniform, monotonous. This is certainly not only due to the drums, but rather to the fact that only two musicians give their best: One plays the drums, the other plays the manageable rest of the instruments. There is no desire, musical ideas cannot be found. The whole thing seems more like a compulsory exercise and is therefore far from a masterpiece. However, if you are willing to lower your expectations accordingly, you will definitely enjoy "Dubbing on the Bay ”.