I often find myself asking: "How would Jim Morrison, Jimi Hendrix, Bob Marley and many more sound today if they hadn't died much too early?" This question comes to mind when I hear Lee "Scratch" Perry. No, no, thank god Scratch is still alive. But what if Lee “Scratch” Perry hadn't slipped into an increasingly unpredictable, depressive, and destructive phase in the late 1970s that ended up with the flaring of his Black Ark studio in Washington Gardens, Kingston? How would albums from Black Ark Studio sound like today? Fortunately, there is an Adrian Maxwell Sherwood and a Daniel Boyle who still have the ability to inspire this man, who is well over 80 years old, to top performance.
Maxwell Livingston Smith alias Max Romeo produced his masterpiece in the Black Ark as early as 1976 together with Lee Perry and the Upsetters - a massive mountain range that is still visible today in the vast Reggae landscape. Almost 40 years after "Was in Babylon"In 2015 Max Romeo, Daniel Boyle, Lee" Scratch "Perry and three great Upsetters published another collaboration:"Horror Zone". “Horror Zone” is by no means a cheap copy of “War ina Babylon”, but rather a successful connection to old times, so more of a kind of further development. That was the case with the vocal album "Horror Zone" DubAlbum in good old fashion already with. And what's next? After this "Lee Scratch Perry meets Daniel Boyle to drive the Dub Starship through the Horror Zone“Was already released in 2020 in a limited vinyl edition for Record Store Day, now that follows Dub Album of the Dub Albums in digital form. Boyle and Perry have the original "Horror Zone" -Dubs subjected to another processing on the mixer and refined a cosmos with tons of cave-like reverb and analog special effects, which according to credits Lee "Scratch" Perry is attributed. Once again we are convincingly heard that it is not a challenge for Perry & Boyle, an already good one Dub-Mix album one more time because these two Dubmasters are always able to go one better. The result can be more than heard, because the two have an intergalactic, dubcreate a wise supernova that shines the entire galaxy even brighter than the original.
Daniel Boyle's Rolling Lion Studio produced, recorded and mixed exclusively with analog devices from the 50s to the 80s and the characteristic Black Ark sound, which is understandably not 100% achieved. Nonetheless, I'm pretty sure that “Lee Scratch Perry meets Daniel Boyle to drive the Dub Starship through the Horror Zone ”will be a new classic in Lee“ Scratch ”Perry's overall / life's work.