Winchester UK based singer and producer Paul Fox is here at Dubblog a wrongly almost blank slate. The Roots, Reggae and Dub Artist has been releasing music under his own name since 1992 and has worked with many well-known artists and producers. The list of artists who have been in the studio with Paul Fox includes such illustrious names as: Nick Manasseh, Robert Tribulation, Michael Rose, Rod Taylor, Fullness, Dubheart, Jonah Dan, Brother Culture and Alpha & Omega, with whom Paul Fox also toured Europe in 2008. His sound was heavily influenced by Jah Shaka, Nick Manasseh, Jah Observer and Aba Shanti. He was so impressed by their music and vibes that in the late 1980s he began experimenting with a four-track recorder at home in private. It was with Julian Ryan, a friend and musician who introduced him to Jonah Dan, that he first tried his hand at reggae and Dub. Percussionist Jonah Dan had a small studio in west London and the three met regularly every week to record roots reggae and related Dubs from it. After releasing recordings together under the project name "Shades of Black" for a few years, they parted ways in the early 2000s and each went into business for himself by founding his own studio. In the meantime, more than 50 albums have been released on which Paul Fox appeared, be it as a producer, sound engineer or singer.
I haven't mentioned it yet, but I've been paying more attention to Paul Fox for a long time - also because of his immensely pleasant voice. I was all the more amazed that I was able to see the release of his two current albums "SameBlood" and "Dub B“ I literally overslept from last December. From everything I've heard from Paul Fox so far, "Dub Blood" can undoubtedly be counted among his best recordings. Paul's soft voice floats again and again through the room and evaporates in melodic, dubbig soundscapes. The sound is vaguely reminiscent of Jah Shaka, but also Mad Professor - so more English Dub par excellence. I don't want to mention every track explicitly, because each one has its own special appeal. I would just like to highlight my very personal favorite as Primus inter Pares. "Living in a Dub Zone", the counterpart to "Warzone Part Two Refugees" from the song album "Same Blood". Starting with the fine sound of an Arabic oud or Turkish saz and really rich binghi drums, the lyric leads us throughout the song: "Still wondering if all of these wars gonna cease - still wondering if I'm ever gonna live to see peace". and explosive sounds of war in the middle of the current situation in Eastern Europe, ie Ukraine. Of course, the theater of war could rather reflect the fatal situation in Syria, because arabesque sounds can be found at several points on the album. It doesn't matter, the song grabs me with full force every time.
I would like to mention one more thing, the attentive listener will also appreciate the wonderful binghi drumming on “Burning Dub' and 'Soon is the Dub“ not to be missed. In general, I really like the percussions on all the tracks on the album. "Dub Blood" takes a musical turning point in the middle of the album, because the rest of the tracks sound slightly symphonic from there.
Conclusion: It has been a long time since such a nice, up-to-date “RootsDub-Album". In my opinion the best album of 2022 so far.