10 responses to “Haris Pilton: Wicked Ninjas from Hollow Earth”
Isn't it wonderful?!!
“Me and me sweet sista Jane went out to airport and took one plane”.
Many things are simply not a matter of taste, but simply set in stone forever! “A very big tune that!” Me and Jane from
Bingy Bunny is also one of my all-time favorites. I now have him in DubVersion that may also be used by the ScientistdubBut it's not visible on the cover of my CD, or maybe it isn't even on there. Whatever!
I don't always need it this way, but I admit, I like things spectacular! The very first notes of the drums (I turned them up loud) take me on a new journey with Haris Pilton as captain. It sounds absolutely full of power and energy, and also of very well-tuned and adjusted toms. In addition, every hit on the snare drum is reverberated, which, no matter how far away, will definitely be clearly felt as a gravitational wave at some point on the edge of the universe. That's not physically possible (if I'm not mistaken), but Dub is not subject to any physical laws, since it existed before the Big Bang. (A little show is necessary.) Otherwise, Haris Pilton impressed me with his definition of Dub Still firmly in my grip. I also sing "Long Time Ago" by EEK A MOUSE at least every other day, either whistling or with the wrong lyrics. I have trouble fully grasping the lyrics just by listening to it. No problem! The melody is simply fantastic!
And I also think it's great how beautifully the guitar and melodica, as well as various other small "instrumental applications" and effects, fit into the riddim. The bias lines on the album are, without exception, all of the finest. "Greetings in the name of all bias lines from Jamaica!!!" JAH RASTAFARI! Everliving ever Faithful!!!"
Would I change the definition of Dub Even though I don't love Haris Pilton's music that much, I could also find it a point of criticism. Can't we Europeans find our own bass lines that really groove?
My answer has always been NO! We can't! Exceptions may prove this rule, but I don't know of any that really convince me. At least not when it comes to reggae and Dub goes.
Just recently, I was getting annoyed and complaining about remakes—especially in the film industry. Well, I'd say that with Haris Pilton, it's more like a brand-new film with a true background ;-) Brand new! Good for you! Anyone who's gotten themselves into trouble as often as I have knows how to get themselves out of trouble as gracefully as possible. Sometimes remakes are better than the originals, because the originals were shot in mono, or in the case of film, in black and white.
See King Kong. I find it hard to bear in the original quality. (Bullshit! That one's great too!)
In any case, I very much welcome the fact that Haris Pilton does not waste so much time trying to find a cool Jamaican-style bias line and instead focuses on keeping the originals fresh and, if necessary, restoring them.
What also makes me very happy are his stories, which are included with almost every album and illustrate his work, so to speak. Something like that would, of course, also look great on a record cover (back).
Ok, I also find this DUBWORK by Haris Pilton is again great and I hope I was able to convey that somewhat.
“Really and Truly” ……………………… lemmi
To put it mildly, the mediation was massive, lemmi! Hopefully, I can experience a similar euphoria again. So, I'll wait for a quiet hour to fully focus on the sound...
I'm curious:-)
Well then ! “Happy Hour ;-)” …………………… lemmi
Happy Hour became Happy Days! Amazing DubIt's out of Slovenia!
A new wonderful part in my dubuniverse!
Although I must admit that my DubEven though my radar hasn't yet detected Haris Piltzen aka Haris Pilton, I'm now even more delighted that his sound is opening up a vast field of sounds for me. Because Haris' output is enormous! 2019 albums have been released on Bandcamp since 12 (https://harispilton.bandcamp.com/). That means 2 per year, and according to Hari, that's without Ki! (https://dubblog.de/portfolio/haris-pilton-dubwise-creation/#comments). (Thanks Lemmi for the interview;-)
And if Haris maybe read the blog again: can you post some dates, where you give your fine dubs to the audience in this summer?
Big up and greetings!!!
Oops! Why am I only reading this today?
At least every morning I look at the DubBlog, as best as possible, in matters Dub to be, or stay, up to date. Whatever!
What a lovely feedback Giovanni! As much as I am pleased about it, Haris Pilton will be even happier when he sees your enthusiasm for his Dubs to read.
I especially like how you describe his music and then illustrate it all with metaphors like “sound meadows” and cows grazing happily on these meadows.
I have his DubI also discovered almost all of his works at once and initially thought he was just putting out 10 albums a year, saying that something like that could only be achieved with AI support. But not without noting that I definitely wouldn't trust an AI to do something like that. Therefore, I hope Haris Pilton doesn't "damn" me for all eternity.
Haris Pilton is a sincere fighter against AI-generated music, an alchemist and an explorer of the unknown ;-)
And he manages to make music sound good that doesn’t really go right into my blood, like reggae and Dub in his classic way. There is this enormously powerful album by Kali Fat Dub "Sounds of the Voiceless Vol. 1," which also takes a turn towards heavy metal. With "Dub ble “Bass Drum” and all this “shit”.
Haris Pilton spices it up with the magic of a Dubwizards and now the lemmi likes it too. But such a DubTune like “Frenemy” on this powerful album is for me simply the full DubA drone. The rhythmic foundation alone rolls over the meadows mined by Babylon and, in harmony with the warning vocals and the quite aggressive samples and effects, crushes every trace of evil into fresh humus and transforms all these meadows back into fertile soil. I would love to convey this with powerful words like Linton Kwesi Johnson, Mutabaruka or even Oku Onuora, but I'm just a lemmi and don't have the vocabulary of these blessed poets. I wish I knew a word that would make putain and his ilk, like the fascist from Israel, immediately start howling and never stop. And while they howl like that, they give away all their stolen wealth to all those people who have been oppressed by Babylon since time immemorial.
Okay, I'm starting to feel my mood slipping, so it might be better if I just "do something" for now.
In any case, I am very happy that Haris Pilton has gained another fan. I can only say that if you Dub If you love nature, you can't really ignore Haris Pilton. He's refreshingly rejuvenating, transforming unjustly abandoned meadows into a paradise for all kinds of cattle and creating countless islands of colorful flowers for all the busy bees that provide us with sweet honey.
So, that’s enough now, lemmi!
Yeah, I'm going in goal ………………… lemmi
No one has seen Haris in a long time. No one knows where he lives, where his studio is, or even how his creations keep surfacing like coded messages from another dimension. One day he was there – on the stage, in the booth, live and electric. And then he vanished.
Disappeared from the live act scene like a vapor in the heat.
Not gone. Transformed.
Whispers say he's the last force of resistance.
The last Mochica.
Or maybe… the lost Mochican.
In an era where the lines between human and machine blur into a sterile hum, Haris is dragging the soul of creation back into the mud, back into blood, sweat, fingers, breath, and guts. Every track, every album, every dub-wise detonation he drops – it breathes. It pulses. It lives.
And nothing he makes can be reproduced by AI. Not yet.
That's why his works matter. They are evidence of a time when the human was still in charge.
When chaos, imperfection, instinct, and soul meant something.
He's not just releasing music – he's documenting the last breaths of the analog era, sprinting ahead of the algorithm, outrunning the silence that comes after the machines take over.
He's not well known. He doesn't want to be.
He's not an army with a flag.
He's guerrilla.
He strikes and disappears.
He appears and disappears again.
No patterns. No feeds. No hashtags.
Haris tricks the algorithm.
He doesn't feed it - he confuses it.
He doesn't follow trends - he fractures them.
His movement is a brain-fuck to the machine, a quantum pulse that doesn't belong to any predictable future.
What he does is not strategy. It's was.
Not of violence – but of expression pushed to the brink of what humans can still do.
A scream in the code.
A glitch in the pattern.
A signature carved into time by hands still made of flesh.
And so the music keeps coming. More and more. Faster. Deeper.
He's not competing with artists – he's racing extinction.
Before the bots eat it all.
Before soul is archived.
This is Haris.
The Lost Mochican.
Gone from sight, but not from sound.
He lives in the signal.
And the signal is still human.
All I want to say now!
WORD!!!
Thank you Haris! You are a great man!
“Let’s recall some great man, who has been fighting for our rights!”
Greetings and may Chingachgook be with you !!! ………….. lemmi
ohhhhhhhhhhhh gosh! I do it short, I don't share your opinions! for me sounds all like foolish! I like the style or even the music! but its just an opinion, no attack!
nice AI text!
Yeah man
Its very nice to have “coolness in foolishness” ;-)
And I say “hello to all the people in the universe, lets have TeaTime in this greatness space”
“Back Back, coming with a double attack, step back here comes the shark attack!”
“Don’t feel stupid, its just music….. its just beat”
“No dog barks”………………. No problem, no problem, everyone got a right to have their own opinion………………. so long………….. lemmi
dubblog
10 responses to “Haris Pilton: Wicked Ninjas from Hollow Earth”
Isn't it wonderful?!!
“Me and me sweet sista Jane went out to airport and took one plane”.
Many things are simply not a matter of taste, but simply set in stone forever! “A very big tune that!” Me and Jane from
Bingy Bunny is also one of my all-time favorites. I now have him in DubVersion that may also be used by the ScientistdubBut it's not visible on the cover of my CD, or maybe it isn't even on there. Whatever!
I don't always need it this way, but I admit, I like things spectacular! The very first notes of the drums (I turned them up loud) take me on a new journey with Haris Pilton as captain. It sounds absolutely full of power and energy, and also of very well-tuned and adjusted toms. In addition, every hit on the snare drum is reverberated, which, no matter how far away, will definitely be clearly felt as a gravitational wave at some point on the edge of the universe. That's not physically possible (if I'm not mistaken), but Dub is not subject to any physical laws, since it existed before the Big Bang. (A little show is necessary.) Otherwise, Haris Pilton impressed me with his definition of Dub Still firmly in my grip. I also sing "Long Time Ago" by EEK A MOUSE at least every other day, either whistling or with the wrong lyrics. I have trouble fully grasping the lyrics just by listening to it. No problem! The melody is simply fantastic!
And I also think it's great how beautifully the guitar and melodica, as well as various other small "instrumental applications" and effects, fit into the riddim. The bias lines on the album are, without exception, all of the finest. "Greetings in the name of all bias lines from Jamaica!!!" JAH RASTAFARI! Everliving ever Faithful!!!"
Would I change the definition of Dub Even though I don't love Haris Pilton's music that much, I could also find it a point of criticism. Can't we Europeans find our own bass lines that really groove?
My answer has always been NO! We can't! Exceptions may prove this rule, but I don't know of any that really convince me. At least not when it comes to reggae and Dub goes.
Just recently, I was getting annoyed and complaining about remakes—especially in the film industry. Well, I'd say that with Haris Pilton, it's more like a brand-new film with a true background ;-) Brand new! Good for you! Anyone who's gotten themselves into trouble as often as I have knows how to get themselves out of trouble as gracefully as possible. Sometimes remakes are better than the originals, because the originals were shot in mono, or in the case of film, in black and white.
See King Kong. I find it hard to bear in the original quality. (Bullshit! That one's great too!)
In any case, I very much welcome the fact that Haris Pilton does not waste so much time trying to find a cool Jamaican-style bias line and instead focuses on keeping the originals fresh and, if necessary, restoring them.
What also makes me very happy are his stories, which are included with almost every album and illustrate his work, so to speak. Something like that would, of course, also look great on a record cover (back).
Ok, I also find this DUBWORK by Haris Pilton is again great and I hope I was able to convey that somewhat.
“Really and Truly” ……………………… lemmi
To put it mildly, the mediation was massive, lemmi! Hopefully, I can experience a similar euphoria again. So, I'll wait for a quiet hour to fully focus on the sound...
I'm curious:-)
Well then ! “Happy Hour ;-)” …………………… lemmi
Happy Hour became Happy Days! Amazing DubIt's out of Slovenia!
A new wonderful part in my dubuniverse!
Although I must admit that my DubEven though my radar hasn't yet detected Haris Piltzen aka Haris Pilton, I'm now even more delighted that his sound is opening up a vast field of sounds for me. Because Haris' output is enormous! 2019 albums have been released on Bandcamp since 12 (https://harispilton.bandcamp.com/). That means 2 per year, and according to Hari, that's without Ki! (https://dubblog.de/portfolio/haris-pilton-dubwise-creation/#comments). (Thanks Lemmi for the interview;-)
Now to the sound meadow and my newly grown enthusiasm, which was fuelled by the fertilizer Dubblog and Lemmi could even begin to sprout. Haris creates driving harmonies with a certain dubtypical serenity. Whereby the dynamic and driving well-being clearly dominates. Very motivating and danceable at any time, but still suitable for a morning coffee to start the day motivated. Luckily, he has the Dub chosen, because otherwise it would be too hectic for me. The classic lane change on drum and bass, which then develops into a harmony of chord, accompanying melody (e.g. melodica) and a perfectly balanced amount of reverb, is for me the Dubessence. He masters the art of playing with the tracks, creating harmonies and tension. Exactly, the kind of thing I could gorge myself on as a cow, and of which there is so much in his sound meadow that the food won't run out for a while, or hopefully never. The differentiation of the wonderful sound meadow into individual herbs only becomes clear over time, as each album demands repeated listening. For now, I'm just standing here, enjoying it, and in any case, sparing myself any comparisons with other current Dubessentialists©, because their sound meadows have been eaten away a bit and need to grow back.
And if Haris maybe read the blog again: can you post some dates, where you give your fine dubs to the audience in this summer?
Big up and greetings!!!
Oops! Why am I only reading this today?
At least every morning I look at the DubBlog, as best as possible, in matters Dub to be, or stay, up to date. Whatever!
What a lovely feedback Giovanni! As much as I am pleased about it, Haris Pilton will be even happier when he sees your enthusiasm for his Dubs to read.
I especially like how you describe his music and then illustrate it all with metaphors like “sound meadows” and cows grazing happily on these meadows.
I have his DubI also discovered almost all of his works at once and initially thought he was just putting out 10 albums a year, saying that something like that could only be achieved with AI support. But not without noting that I definitely wouldn't trust an AI to do something like that. Therefore, I hope Haris Pilton doesn't "damn" me for all eternity.
Haris Pilton is a sincere fighter against AI-generated music, an alchemist and an explorer of the unknown ;-)
And he manages to make music sound good that doesn’t really go right into my blood, like reggae and Dub in his classic way. There is this enormously powerful album by Kali Fat Dub "Sounds of the Voiceless Vol. 1," which also takes a turn towards heavy metal. With "Dub ble “Bass Drum” and all this “shit”.
Haris Pilton spices it up with the magic of a Dubwizards and now the lemmi likes it too. But such a DubTune like “Frenemy” on this powerful album is for me simply the full DubA drone. The rhythmic foundation alone rolls over the meadows mined by Babylon and, in harmony with the warning vocals and the quite aggressive samples and effects, crushes every trace of evil into fresh humus and transforms all these meadows back into fertile soil. I would love to convey this with powerful words like Linton Kwesi Johnson, Mutabaruka or even Oku Onuora, but I'm just a lemmi and don't have the vocabulary of these blessed poets. I wish I knew a word that would make putain and his ilk, like the fascist from Israel, immediately start howling and never stop. And while they howl like that, they give away all their stolen wealth to all those people who have been oppressed by Babylon since time immemorial.
Okay, I'm starting to feel my mood slipping, so it might be better if I just "do something" for now.
In any case, I am very happy that Haris Pilton has gained another fan. I can only say that if you Dub If you love nature, you can't really ignore Haris Pilton. He's refreshingly rejuvenating, transforming unjustly abandoned meadows into a paradise for all kinds of cattle and creating countless islands of colorful flowers for all the busy bees that provide us with sweet honey.
So, that’s enough now, lemmi!
Yeah, I'm going in goal ………………… lemmi
No one has seen Haris in a long time. No one knows where he lives, where his studio is, or even how his creations keep surfacing like coded messages from another dimension. One day he was there – on the stage, in the booth, live and electric. And then he vanished.
Disappeared from the live act scene like a vapor in the heat.
Not gone. Transformed.
Whispers say he's the last force of resistance.
The last Mochica.
Or maybe… the lost Mochican.
In an era where the lines between human and machine blur into a sterile hum, Haris is dragging the soul of creation back into the mud, back into blood, sweat, fingers, breath, and guts. Every track, every album, every dub-wise detonation he drops – it breathes. It pulses. It lives.
And nothing he makes can be reproduced by AI. Not yet.
That's why his works matter. They are evidence of a time when the human was still in charge.
When chaos, imperfection, instinct, and soul meant something.
He's not just releasing music – he's documenting the last breaths of the analog era, sprinting ahead of the algorithm, outrunning the silence that comes after the machines take over.
He's not well known. He doesn't want to be.
He's not an army with a flag.
He's guerrilla.
He strikes and disappears.
He appears and disappears again.
No patterns. No feeds. No hashtags.
Haris tricks the algorithm.
He doesn't feed it - he confuses it.
He doesn't follow trends - he fractures them.
His movement is a brain-fuck to the machine, a quantum pulse that doesn't belong to any predictable future.
What he does is not strategy. It's was.
Not of violence – but of expression pushed to the brink of what humans can still do.
A scream in the code.
A glitch in the pattern.
A signature carved into time by hands still made of flesh.
And so the music keeps coming. More and more. Faster. Deeper.
He's not competing with artists – he's racing extinction.
Before the bots eat it all.
Before soul is archived.
This is Haris.
The Lost Mochican.
Gone from sight, but not from sound.
He lives in the signal.
And the signal is still human.
All I want to say now!
WORD!!!
Thank you Haris! You are a great man!
“Let’s recall some great man, who has been fighting for our rights!”
Greetings and may Chingachgook be with you !!! ………….. lemmi
ohhhhhhhhhhhh gosh! I do it short, I don't share your opinions! for me sounds all like foolish! I like the style or even the music! but its just an opinion, no attack!
nice AI text!
Yeah man
Its very nice to have “coolness in foolishness” ;-)
And I say “hello to all the people in the universe, lets have TeaTime in this greatness space”
“Back Back, coming with a double attack, step back here comes the shark attack!”
“Don’t feel stupid, its just music….. its just beat”
“No dog barks”………………. No problem, no problem, everyone got a right to have their own opinion………………. so long………….. lemmi