Mmmmmh, well, I actually like the riddims, especially most of the bass lines, quite a lot. The melodies, especially those from the keyboard, annoy me for the most part. The keyboard in particular is too intrusive. The guitar loops are OK, but somehow everything repeats itself too much and it doesn't really get exciting.
I don't feel particularly inspired to search for or find many words for the album. Who am I supposed to praise here? The ki probably doesn't care what we think of it.
I'm pretty sure that if I listened to the keyboard more often, it would drive me more and more mad.
But in my opinion, the AI has really understood the “principle” of BassLines very well.
If I'm honest, I'm a little frustrated that such a stupid ki manages to convey the magic of Jamaican bias lines. Until now, I always thought that only Jamaicans (including Jamaicans in England) and Africans could do that. But well, such a ki is probably particularly good at copying certain patterns, while many European bassists have only rarely managed to find a magical bias line. And by that, I also mean the Europeans who have taken over the American continent. But hey, I'm criticizing something again that perhaps only I feel that way.
2 Responses to “Rudebwai Stailee: Joyous Hearts”
Mmmmmh, well, I actually like the riddims, especially most of the bass lines, quite a lot. The melodies, especially those from the keyboard, annoy me for the most part. The keyboard in particular is too intrusive. The guitar loops are OK, but somehow everything repeats itself too much and it doesn't really get exciting.
I don't feel particularly inspired to search for or find many words for the album. Who am I supposed to praise here? The ki probably doesn't care what we think of it.
I'm pretty sure that if I listened to the keyboard more often, it would drive me more and more mad.
But in my opinion, the AI has really understood the “principle” of BassLines very well.
If I'm honest, I'm a little frustrated that such a stupid ki manages to convey the magic of Jamaican bias lines. Until now, I always thought that only Jamaicans (including Jamaicans in England) and Africans could do that. But well, such a ki is probably particularly good at copying certain patterns, while many European bassists have only rarely managed to find a magical bias line. And by that, I also mean the Europeans who have taken over the American continent. But hey, I'm criticizing something again that perhaps only I feel that way.
Greetings …………… .. lemmi
dont like it!!!!