Rapha Pico, singer from the Netherlands, fell for the first time with his EP "Continue The Glory" on. First and foremost, whether his voice, which could be classified somewhere between Ras Batch and Army - that is, a voice without qualities, quasi the basis of life for background singers. Secondly, whether the texts, with their simplicity and the effort of the simplest images, do not go beyond the usual and well-known Rasta sensitivities. So far, so bad - if it weren't for a steadfast backing band called "The Noble Chanters"; if it weren't for an extremely successful production that couldn't be more classic:
Well, the hard-working reviewer always finds something to complain about - even if it's just the drummer who imitates Carlton Barrett very nicely, but with time it gets annoying: there is only one Carlton Barrett with his extraordinary drum style; Clones cannot get close to him and are superfluous - with the exception of the drummers in the various Wailers incarnations post-Marley, of course.
So let's turn to the freshly appeared Dub-Counterpart of the EP, aptly "The Glory of Dub“Titled (Noble Chanters Productions). Acoustically rougher and not as polished as the vocal album, drums and bass with amazing dynamics are in the foreground. The vocal explosions that appear again and again in the pieces are very well chosen and mostly reflect the essence of the respective lyrics. The Dub-Effects couldn't be more classic: calm echoes and reverbs run through the whole album; one or the other soundtrack fades in and out gently. And that's it, nothing more is needed. Listeners carry this through six tracks, which together last an astonishing 42 minutes - while the vocal counterpart with six tracks only lasts 28 minutes. Somebody has a lot of fun with extra-long ones Dub Versions, and the joy is mine:
By and large, “The Glory of Dub“In other words, a successful one, if not one that likes to experiment Dub-Album which, with its unobtrusive nature, is ideally suited as background music for working, reading or snoozing. For the reviewer, it would be worth a smooth 4-star rating, if ... yes, if there weren't inexplicable and senseless seconds of silence at the beginning and end of every single track. It takes 5 seconds, believe it or not, 20 seconds. That is extremely annoying, it spoils the listening pleasure massively and, in my opinion, cannot be justified as a stylistic device. Why there was no editing here remains a mystery that the readers of this review may be able to clarify. Until then, I regret to deduct two stars from the rating.