Rockers All Stars: Chanting Dub With The Help Of The Father

Now that I know a lot better who I'm dealing with here, namely Helmut Philipps, a reggae and DubConnoisseur of the first hour, who reggae and Dub Virus has infected many times more than me, I no longer really dare to comment here just from the gut. I'm reading the "Dub Conference” and I was blown away by how much you can immerse yourself in this immaterial matter. Great respect and thanks for that at this point.
The probability that the author of the book "Dub Conference” ( hello Helmut ;-) ) that could cause an upset stomach is actually a bit too big for me. But what should I do, I can only write it down as I feel it.
I find the flawless ones Dubs on “Chanting Dub“ Very good without exception. But I'm a newcomer who joined later, reggae and DubMusic not already in the awakening phase of reggae and Dub could experience. And so maybe it's an explanation why I do this Dubs also like all of them, but none of them have really become my all-time favourites. I have this Dubs felt like they've all been heard somewhere on scattered samplers without really being able to prove it. Whether I use the "Santic Dub' but in exactly the same ( same ) version, I couldn't answer with certainty. And the "Money Dub' sounds more than familiar to me, but I wouldn't find him at home immediately, if at all. Yeah, that's how it looks. There is no order and no system to recognize with me. Sometimes it annoys me (myself) a lot, but doing something about it would annoy me even more. The "Money Dub“ sounds so awesome to me here that I ask myself why I haven’t included it separately in my Dubbrain cortex saved.
Accordingly, I "potentiate" the effect of this one Dubs and project them onto the whole album. I agree, "No Fillers All Killers" but especially "Money Dub“. And of course the “Santic Dub“ ! I also find the fact that the (in my opinion wrongly so famous) high-pass filter is not used so blatantly, or not at all, extremely pleasant. Thanks to Prince Jammy!
I was already at the point in the book where this HighPassFilter was written extensively and yes, I have also read that King Tubby himself initially perceived this “effect” or this operating option as a “mistake” and not really at all was up for it. And that in connection with the Flying Cimbals ……….. well, I’ll come back to that elsewhere. In any case, the whole chapter was the purest revelation for me !!! Or was I reading too quickly and understood it in the way that suits me best?
And then there was the nice side story with Cedric Im Brooks and his saxophone, who probably got the “wrong engineer” because he asked him not to overdo it with his “blower”. Unfortunately, I can't yet assign the names of the individual engineers to every story, but I feel very confirmed that there were also engineers (at least one) who got on their nuts with a too complicated and too penetrating saxophone playing. And even a Jackie Mittoo had to be "admonished" with the words, "hey man ceep cool ... it's "only" reggae" ( freely but hopefully reproduced analogously ). And if I got the names mixed up here again, sorry!
And if I've written too much about "THE BOOK" here instead of contributing something creative to the review, I also apologize, but the book is simply the non plus ultra for me at the moment.

So long………………… lemmi